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All Respect Due for FOGGIERAW


There are albums you listen to and then there are albums you experience. With his major-label debut, 'With No Due Respect', Foggieraw doesn’t just release a body of work; he delivers a cultural statement. This project feels like a love letter to R&B and Hip Hop, wrapped in funky beats, smooth melodies, and layered lyricism that demand both your head nod and your heart’s attention.


From the first track, you’re taken on a journey of Blackness that is so “Black Ass,” in the words of Jill Scott. It’s unapologetic, it’s textured, it’s ancestral and futuristic at the same time. Foggieraw paints with rhythm, soul, and sharp social awareness, giving us a soundscape that feels like a basement kickback, a family reunion, a protest, and a poetry slam all in one breath.


For a major-label debut, the album maintains an impressive level of intimacy. The production leans into funk grooves and warm R&B undertones while staying rooted in hip hop’s golden-age storytelling tradition. It’s a balance many attempt but few master, Foggieraw makes it feel effortless.


Tracks like “Water2wine.mp3” and “Cadillac” glide with smooth confidence, blending soul-heavy instrumentation with bars that cut deep. “Huey and Riley” stands as both homage and commentary, while “Grandmas & Grandpas” feels like sitting at the feet of legacy absorbing wisdom through rhythm.



And then there’s the viral hit that sent him into the stratosphere: “Psalm 62”, assisted by none other than Alicia Keys. The collaboration is nothing short of celestial, Keys’ signature warmth paired with Foggieraw’s grounded, reflective lyricism creates a spiritual anthem that bridges generations of Black artistry.


One of the most captivating aspects of With No Due Respect is how it expands language itself. Enter “Bitchertation” a clever, cultural flip on the doctoral term dissertation. Here, Foggieraw dives into the world of “bitch-assness” with sharp wit and social critique. It’s humorous, yes but it’s also layered commentary wrapped in rhythm. This linguistic playfulness is part of what sets him apart. Foggieraw isn’t just rapping. He’s building worlds.

In an era where speed often replaces substance, Foggieraw reminds us of the art of poetic delivery. There’s something reminiscent of Q-Tip in his approach, the ability to not only rap on the beat but bend the beat into a poetic melody. His cadence feels like stepping into a dimly lit speakeasy, where every word is intentional and every pause carries weight.


This project positions Foggieraw firmly as one of the ones to watch. His pen is sharp. His ear for production is refined. And his vision is expansive. In terms of artistry and intentionality, he’s creating music that comfortably places him in conversations alongside Kendrick Lamar, JID, Ab-Soul, and Nas, artists known not just for hits, but for impact.


Let it be known, The Media Prince has spoken. The standouts from With No Due Respect include:

  • Water2wine.mp3

  • Cadillac

  • Huey and Riley

  • Grandmas & Grandpas

  • Faith Lies

  • Psalm 62 (feat. Alicia Keys)

Beyond the sonics and lyricism, With No Due Respect carries something even bigger, hometown pride. Foggieraw is making the DMV proud in the game of hip hop. In an industry that often pressures artists to conform, he doubles down on authenticity. His sound doesn’t chase trends, it builds legacy.


There’s a distinct rhythm to the DMV. A certain bounce, a certain grit, a certain poetry wrapped in perspective. And through this project, Foggieraw reminds us that the sound of the DMV is triumph. It’s layered. It’s intellectual. It’s soulful. It’s fearless. It’s monarch-level greatness.

Each track reveals a different shade of Foggieraw’s artistry, vulnerable, confident, playful, reflective, revolutionary. With No Due Respect isn’t just an album. It’s a declaration, A reclamation, A reminder that the most powerful art doesn’t bow, it builds.


And Foggieraw? He’s not next up. HE'S NOW!


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